TV's Greatest Hits looked back at 1968 back in 1982 I think it was. The programmes presenter was Mike Smith, and he had the challenge of interviewing Patrick McGoohan, seen here on the left. Behind him and around him, sat numerous fans of the Prisoner who were all in village costume.
Recenlty, while looking for material, I watched again this programme, and I looked at McGoohan's eyes which are all over the place. He looks nervous, uncomfortable, giving the impression of "What the hell am I doing here? Why did I let myself in for this?" That was the first and last time Patrick McGoohan appeared with fans of the Prisoner. I should think it was an experience he would not want to repeat, and so didn't, although he was always invited to the Prisoner conventions held annually at Portmeirion. BCNU
A life time fan and Prisonerologist of the 1960's series 'the Prisoner', a leading authority on the subject, a short story writer, and now Prisoner novelist.
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Tuesday, 3 January 2012
Don't Get Yourself Killed
Don't Get Yourself Killed - An Unused Script for the Prisoner By Gerald Kelsey
As the title suggests Don’t Get Yourself Killed by Gerald Kelsey is one of two unused Prisoner scripts. A brief synopsis of the plot is that No.6 encounters the escape committee, which consists of a group of villagers who claim the right to vet all escape attempts, much like the escape committees of World War 2 prisoner of war camps, No.6 initially shuns them, but is then coerced into joining them.
Through this meeting with a member of the escape committee known as "The Miner", who appears to be attempting to dig his way out of the village, No.6 concocts an escape plan which involves The Miner and an oddball of the villages administration referred to in the script as the "HOF ", the Head of Facility of the Environmental Adjustment Department. It is this bizarre figure who is responsible for the loudspeaker "re-educational lectures" which flood the village, forcing residents to repeat, parrot fashion, nonsensical slogans like "Individuality is the expression of revolt against the community" as they go about their business.
The plot requires the "HOF " to defy No.2's orders and bring No.6 in for conditioning when he observes that No.6 is refusing to take part in the lecture. A sequence in which No.6 is brought into the facility on a Travelator device "like a parcel mechanically handled on a conveyor".
No.6 refuses to co-operate with the "HOF " and later, somewhat unconvincingly, who suddenly declares an interest in joining No.6 and The Miner in an escape attempt, provided that he is paid for his help. As it happens, The Miner has discovered gold in his tunnel and No.6 offers to pay the "HOF " in gold ore.
Between the three of them, they concoct an escape plan which involves stealing a helicopter from the village's 'helicopter service depot', but the plot is foiled at the very last moment, thanks to the greed of The Miner who refuses to take off without his sack of gold.
Curiously the script of Don’t Get Yourself Killed has a Georgian House as the residence of No.2, this would have been Portmeirion's pink and white Unicorn cottage, which was originally considered for No.2's residence, and not that of the Green Dome. The Unicorn cottage was however rejected for film production reasons, those of the pair of gates, the steps, surrounding bushes and undergrowth, which would lead to poor camera angles.
Also the finding of gold by The Miner in his tunnel, falls into line with the original background to the village, ie; that there are two old gold mines which go deep into the bowels of the earth. However the suggestion that the village has a "Helicopter Service Depot" seems quite ridiculous, and to be able to actually steal a helicopter suggests very lax security. And for there to be an actual escape committee, surely the village administration would have stamped that out long before there was time for any village citizens to form such a committee. Yet having thought about it, there was mention of the "Jammers" in It's Your Funeral, Jammers who talk, talk about the plots they've been hatching. Escapes mostly, but plans and developments of all kinds of mischief, they did it to confuse the observers. The plots they talk about are always make-believe, non existent, but control can't know that until they've checked them out. Used to run themselves ragged investigating the schemes of "Jammers." But they don't bother any more. Now they keep a list of all known jammers, and anything control picks up from these they just let ride.
This to me suggests a smacking of citizens working together as "Jammers", possible they had formed a committee, a previous escape committee before they became "Jammers" creating mischief inside the village, having failed to find any reliable way of escaping from the village!
Anyway the script for Don't Get Yourself Killed turned out to be fool's gold and I feel that the Prisoner series would not have been made the stronger for this scripts inclusion. However having said that, one part of the script I found to work very well, all things considered in the village, and to be quite eerie, are the "re-education lectures" played over the village loudspeakers. Re-educating the citizens as they speak out such nonsensical slogans as they work as "Individuality is the expression of revolt against the community." Such a slogan would have fitted in very nicely in the episode of A Change of Mind.
There were also several ideas floating about at the time for further Prisoner scripts. One such idea was that a Magician arrived in the village, and No.6 affected an escape through the Magicians magic cabinet.
The Therapy Zone
Do Not Forsake Me Oh My Darling
Now where does that song come from? The film starring Gary Cooper High but alas we are not concerned with Westerns here, not even Living In Harmony. No, this is the preceding episode where No.6 get his mind exchanged for another, that of the Colonel played by actor Nigel Stock, which was essentially two parts in one as Stock remarked; "After the brain-switch, I'm still an Army Officer in appearance but mentally the Prisoner. Physically I'm the Colonel; mentally I'm the Prisoner. And as one's mind controls one's actions I am, in fact, portraying Patrick McGoohan with all his characteristics. So, I had to think of myself as Pat all the time, behaving in the way he would be doing Fortunately I've worked with him several times, so I've been able to imitate several of his characteristics, like the way he flicks his fingers and touches his face."
Well is that so? I don't see too much evidence of McGoohan's characteristics in Nigel Stock when I watch Do Not Forsake Me Oh My Darling. And I don't see the Prisoner wearing a double breasted blazer, the Colonel didn't stick with the Prisoner's charcoal grey suit for very long did he? I mean the Prisoner would never dress as the Colonel did once he was out and about in London, visiting his ex-colleagues, Sir Charles Portland, for example and when he went to retrieve those slides, despatched from the roll of film he left at the photographic shop a little over a year ago. No, that double breasted blazer has Nigel Stock written all over it, not Patrick McGoohan!
And then there was the calculating of the numbers of the letters of the alphabet which corresponded with the number of the slides needed to discover the location of Dr. Jacob Seltzman. The Prisoner would never have to make such a calculation as demonstrated by the Colonel, however that might have been for the benefit of the television viewer. But not so those National Health spectacles which the Colonel wore, with the added coloured lenses, which we will put to one side for the moment. The Prisoner didn't need to wear spectacles, and even when he did they were McGoohan's own! So they must have been the Colonels, but then we must surely ask "How did the mind of the Prisoner know?" Ah, but then the question is raised, that seeing as how it is the mind of the Prisoner-No.6 housed in the body of the Colonel, would that mind have needed the Colonels National Health spectacles in order to help him view the slides better? Or was it Nigel Stock who needed the spectacles, it certainly wasn't Patrick McGoohan this time!
Mind you then there were those two different coloured lenses, clipped onto the lenses of the spectacles, used to read the hidden words KANDERSFELD AUSTRIA on the projection screen. So that might explain it. At any rate the episode of Do Not Forsake Me Oh My Darling is something of a mish mash anyway, and takes quite a bit of figuring out. Nothing is absolutely clear about it, even 40 years on from the first time I watched it. Mind you this episode was rather hurriedly put together.
BCNU
Monday, 2 January 2012
Humour Is The Very Essence Of A Democratic Society!
Headmaster "Why did you resign?"
Pupil "Beg pardon sir!"
"You've no need to beg my pardon boy."
"Righto sir."
"Look boy, when I ask you a question, I expect an answer. Why did you resign?"
"Well sir.........."
"Yeeeeees."
".........I thought I had become too old for the Tufty Club!"
"Whaaaaaat?!!"
"I'm still a member of the Corgi Club."
"The Corgi Club?!!"
"Yes sir, diecast model cars. Myself and other boys in my class collect them, in fact a latest edition to my collection is a Morris Eight."
"Look boy............. look boy what you do in your own time is your own affair."
"Thank you sir, but would you mind taking your paws off my blazer?"
"Look boy, if I have any more trouble with you I'll give you............."
"You can't do that any more."
"Can't do what?"
"Beat me. It's against the corporal punishment laws."
"What are you, the classroom lawyer?"
"I know my rights sir."
"The last time you were given six of the best, you said to give you twelve so that you could remember."
"That's right sir."
"So you remember?"
"Yes sir."
"So tell me boy why you resigned, and you will be spared the pain."
"Is the Butler going to deliver to punishment again?"
"Yes."
"I'd prefer the French Mistress sir."
"Who?"
"I know what the French Mistress wears under that cap and gown sir."
"You've no business knowing!! Just a minute, we don't have a French Mistress!!"
"You should get one sir!"
"You are an impertinant boy!"
"If you say so sir."
"I do say so. You will take one hundred lines."
"Yes sir, thank you sir."
"You will write out one hundred times why you resigned."
"From what sir? I've already explained about the Tufty Club."
"Take pen, paper and write boy."
The pupil begins to write I resigned because for a very long time I've thought myself too old for the Tufty Club.
I resigned because I'm fed up with school.
I resigned because my Headmaster is a bully!
I resigned because I was found behind the penny farthing shed with the French Mistress xxx
I resigned because for a very long time....just a minute it's break time!
I resigned for peace, for peace of mind, because people know too much. I know too much about you, don't I head master. You, Miss Whiphand, and the room full of whips and things............
"Alright boy, you can stop now!"
"Thank you sir."
"But before you go boy......tell me, why did you resign?"
"You've been told sir!"
Pupil "Beg pardon sir!"
"You've no need to beg my pardon boy."
"Righto sir."
"Look boy, when I ask you a question, I expect an answer. Why did you resign?"
"Well sir.........."
"Yeeeeees."
".........I thought I had become too old for the Tufty Club!"
"Whaaaaaat?!!"
"I'm still a member of the Corgi Club."
"The Corgi Club?!!"
"Yes sir, diecast model cars. Myself and other boys in my class collect them, in fact a latest edition to my collection is a Morris Eight."
"Look boy............. look boy what you do in your own time is your own affair."
"Thank you sir, but would you mind taking your paws off my blazer?"
"Look boy, if I have any more trouble with you I'll give you............."
"You can't do that any more."
"Can't do what?"
"Beat me. It's against the corporal punishment laws."
"What are you, the classroom lawyer?"
"I know my rights sir."
"The last time you were given six of the best, you said to give you twelve so that you could remember."
"That's right sir."
"So you remember?"
"Yes sir."
"So tell me boy why you resigned, and you will be spared the pain."
"Is the Butler going to deliver to punishment again?"
"Yes."
"I'd prefer the French Mistress sir."
"Who?"
"I know what the French Mistress wears under that cap and gown sir."
"You've no business knowing!! Just a minute, we don't have a French Mistress!!"
"You should get one sir!"
"You are an impertinant boy!"
"If you say so sir."
"I do say so. You will take one hundred lines."
"Yes sir, thank you sir."
"You will write out one hundred times why you resigned."
"From what sir? I've already explained about the Tufty Club."
"Take pen, paper and write boy."
The pupil begins to write I resigned because for a very long time I've thought myself too old for the Tufty Club.
I resigned because I'm fed up with school.
I resigned because my Headmaster is a bully!
I resigned because I was found behind the penny farthing shed with the French Mistress xxx
I resigned because for a very long time....just a minute it's break time!
I resigned for peace, for peace of mind, because people know too much. I know too much about you, don't I head master. You, Miss Whiphand, and the room full of whips and things............
"Alright boy, you can stop now!"
"Thank you sir."
"But before you go boy......tell me, why did you resign?"
"You've been told sir!"
Arts And Crafts
"Tonight at moonset - pawn to Queens pawn six, check!"
This image is a considerable favourite to French fans of the Prisoner, as it appears in two French graphic novels inspired by the Prisoner.
Be seeing you
This image is a considerable favourite to French fans of the Prisoner, as it appears in two French graphic novels inspired by the Prisoner.
Be seeing you
The Penny Farthing Project
The Penny Farthing Project is not a sequel to any other work in the matter of the Prisoner, nor is it the 18th episode, which some saw my film Village Day as being, which of course it isn't. It is a story in its own right. In fact, the creative duo set out to evoke a moment in the Prisoner's life which could be interpreted as a new Arrival. Our hero awakens in the village. He has lost his memory. A very cunning No.2 is manipulating this special amnesia case to find out the reasons behind his resignation. Will No.6 stand up to his opponents? What game is No.7, there's never been a No.7 in the village before, I suppose that's why those who write such material based upon the Prisoner enjoy using the No.7, because it was left out of the original series of episodes. But I digress, will we finally learn why No.6 resigned? I am not giving anything away about this graphic novel, as those reading this may not have come across The Penny Farthing Project for themselves. But we know why the Prisoner resigned don't we. And some of the graphics, images, used in the plot are taken from the original episodes of the Prisoner. And No.7 seems to me to be the image of actor George Sewell as pictured below in the righhand picture.
Another such image is of Leo McKern-No.2 in The Chimes of Big Ben and Once Upon A Time, plus being a 'late' No.2 during his trial of Fall Out. And this is not the first of such graphic novels to use the image of Leo McKern as the No.2. The DC comic the Prisoner in four books A B C and D later reprinted in one volume Shattered Visage by Dean Motter - with Mark Ask, David Hornung and Richmond Lewis, which have used the image of Leo McKern, yet at a little more mature age, with a long beard after having spent many years living in the overgrown ruins of the village.
The Penny Farthing Project can be approached from several angles. First and perhaps foremost, the reader will be captured by the beguiling village atmosphere created by Philippe Cottarel's fine artwork. Then you'll find yourself coming back to certain pages in order to better appreciate the layout. This along with subtleties engineered by Jean-Michel Philibert, whose plot is well-crafted and particularly full of references to the cinema.
Despite the use of Leo McKern as No.2, an obvious favourite, and some of the images taken from the Prisoner series, I have enjoyed the graphic novels which have helped me back to the village, at least in my imagination. But isn't that where at least part of the Prisoner lies, in the imagination of the mind?
BCNU
The Therapy Zone
Originally as seen as being one of the 7 episodes that Patrick McGoohan would keep, but which was to become the penultimate episode in a 17 part series. For one week, one teeney weeny week, No.2 and No.6 would be locked in the embryo room in a psychological fight, the ultimate method known as 'Degree Absolute.' In which it has to be either one of them, No.2 tells No.1 that he was a good man, he is a good man. But if he gets No.6 he will be better.
It is a familiar, but somewhat irritated No.2, who is brought back for a second bite at breaking No.6, to discover the secret of his resignation. But even when No.6 actually tells No.2 the reason behind his resignation, No.2 still isn't satisfied, he doesn't seem to understand that he has been told.
No.2 is in an irritable state of mind, he bellows at his ever faithful butler, and goes without sleep when he spends the night in No.6's cottage reciting children’s nursery rhymes to him as part of No.6's regression, back to his childhood. This irritated state of mind together with the lack of sleep must surely put the boy Prisoner in a 'one-up' situation in the enclosed confinement of the embryo room right from the start.
With Shakespeare's seven ages of man, from the cradle to the grave, No.2 takes No.6 through his life. From Childhood, to second childishness and possibly the grave, in No.2's death. Well that is how many see the end to No.2, as being dead. This because No.2 is addressed by the President during his trial of Fall Out as being "There have to be some security secrets that are kept from a......late No.2." But 'late' need not mean that No.2 had actually died, you will recall that in Fall Out No.2 was resuscitated, to revive when apparently dead or unconscious and not resurrected, a revival, rising from the dead! No.2 said that he "Apparently died" 'apparently meaning evident, easily seen, but not real.'
And I also think that No.2 was looking for a quick result, locked away in that embryo room with No.6 and the Butler . After all No.6, in his childhood state of mind, had only just graduated from school, when No.2, as the boys head master, jumped the gun by asking the pupil why he resigned. The pupil answered with "From what sir?" Of course the boy could not answer, as he hadn't done anything yet!
But all this is known, previously documented in the synopsis of the episode in at least two Prisoner based books. What interests me, as it does between all the episodes of the Prisoner, as it does here with Once Upon A Time, is not so much what we see, as what we do not see. As in the photograph below taken during, either the episode itself or at least its production.
We see that Patrick McGoohan/No.6 is asleep in a chair. This could very well be a simple production photograph, but easily it could be actually an unused scene from the episode itself. After all, the Butler , who was in the embryo room simply to aid in their deliberations, and to look after No.2 and No.6, to cook them meals and so on had to sleep as did No's 2 and 6. There would have to be times when a break would have to be called in their deliberations, to wash, shave, go to the toilet, and sleep a little. The changes of costume as they continue in their role-playing through the life of No.6. I mean at meal times for example, what might No.2 and 6 talk about? The outside world perhaps, seeing as how No.2 has only recently been brought back to the village, against his will perhaps, he certainly didn't seem too happy about it! No.6 might ask questions, like who is in government now? Perhaps about music, old colleagues perhaps. Small talk about almost anything, even how No.2 had found himself in the position he has!
I find thinking about the Prisoner in this way is helping me develop a new concept about the series. It can be fun trying to fill in the blanks so to speak. I mean just because by the end of The General the Professor is dead, No.2 defeated with the General gone up in smoke, does not mean that that was the end of the experiment. And of course there had to be a time when the General was brought to the village, as well as the Professor and his wife in connection with the 'Speedlearn' experiment. The way in which the episodes of the Prisoner present things, it is almost as though it all just happens, the instant arrival of the Professor and his wife together with The General. After all as No.6 sits outside the cafe there is an announcement through the public address system;
"Attention, this is an announcement from the General's department. Will all students taking the Three Part History course, please return to their dwellings immediately. The Professor will be lecturing in approximately thirty minutes. I will repeat that. This is an announcement from the General's department. Will all students taking the Three Part History course, please return to their dwellings immediately. The Professor will be lecturing in approximately thirty minutes."
This certainly gives the impression that 'Speedlearn' courses have been going for some considerable time between the end of the episode of The Schizoid Man and The General itself. It’s all to do with the lapse of time that takes place between episodes.
I'll Be seeing you
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