With the absence of Portmeirion
scenes, together with the emphasis placed on Number Fourteen’s laboratory, this
goes to make ‘A B and C’ a somewhat
claustrophobic episode. We are introduced to
the laboratory at night, when a storm rages outside. Lightening with torrential
rain, the only instance of bad weather in the entire series of ‘the Prisoner.’
Even in Number 6’s three dreams there
is a sense of release, seeing that a portion of the action takes place at Engadine’s
celebrated parties in Paris. In other
words, “outside” of The Village. As Number 14 says, “I’m sure he’ll welcome the
change of environment.” Back in the real world, other than the surreal world of
The Village!
A play in three acts; A is a
conventional spy episode, in which ZM73 encounters an old colleague, with whom
he was once friends, and had good deal in common. But that’s in the past. “A” made
world news when he defected about 6 years previously. They did the same job, they
still do the same job, but for different sides! Later A attempts to abduct
ZM73, and we are to believe that this is what
would have happened if The Village administration had not got to
ZM73 first.
B is also a spy working for the other
side. The other side supposedly opposite to both ZM73 and A. ZM73 appears to be
friends with B, and yet he keeps her at arms length even when dancing! He has
encountered B before. The last time when she was hiking across the mountains to
Switzerland…..she
got sore feet! Trying to escape from someone, or to somewhere where she thought
she might be safe. Unlike A being the direct approach and with the aid of force,
B is more of a semi-seductive approach, more indirect, and set on an emotional
basis. Number 14 attempts a spot of emotional blackmail. They want B to make a
deal with ZM73, they want to know why he resigned. If he would just talk about
it, they would let her off the hook. Emotional blackmail has been used before
against the Prisoner, on the day of his arrival in The Village, by the
maid-Number 66. The trouble here is, it’s all taking too long with B, and
Number 2 wants to hurry things up a little, by Number 14 putting words in B’s
mouth. That was a mistake, because as soon as B speaks 14’s words, ZM73 is put
on the alert, he becomes suspicious, and resists direction. The second mistake
is that they don’t know about B’s son……and yet is that a bluff on ZM73’s part, perhaps
there really is no son?
C, and here we enter the world of
fantasy which is both complete and enthralling. Number 6 has diluted the third
dose of Number 14’s drug, and because of that the veneer of the real-world is
stripped away as represented in both A and B, whereby he demonstrates his capability
of being not only able to enter his own surreal dream, but to control it,
direct it according to his own will. In this Number 6 creates a completely
misleading story line designed to overturn Number 2’s expectations, and uses
his enemies own device and drug against themselves, in order to defeat Number
2, and ultimately deny him the proper result of his examination.
There has been some pitiful research
into C, but can anyone really expect anything else when C hides behind a cloak
of anonymity! C exists, but not in the terms of which A and B are defined. C is
C because C is not A or B. C is more important than either A and B, the man who
resides behind the “big door” as Number 6 might have put it.
The episode transcends into an almost
“out of body” experience, taking place in Number 6’s subconscious, as Number 2’s
plan is completely overcome. His deep belief that Number 6 resigned because he
was going to sell out is left unfulfilled. Number 6 is brutal in his
retribution against Number 2. He delivers in person the information that he
really was going on holiday. That he wasn’t selling out, that’s not why he
resigned. This leaves Number 2 a broken man. As the over-sized curved red
telephone bleeps, we can only imagine what fate lay ahead for this pathetic
failure of a Number 2!
With the scenario that Number 6 builds
in his surreal subconscious, and the suggestion that there is a fourth that
Number 2 had no idea about, “D,” then we are to suppose that “C” was Engadine.
To suggest that Number 2 is C and not D, would depend on what Number 6 says
when he turns the man dressed as the “Sandeman” of Sandeman
Port to face the camera. That would
be “C” as in the letter c, or as the word “See!”
Be seeing you