Once the story of the pilot episode The Arrival was completed and in the can, Patrick McGoohan then turned his attention to the music aspect of the Prisoner, and in particular the theme music. Bearing in mind his admiration for the work of those who had already served their time with him on the Danger Man series, you could be forgiven for thinking that McGoohan would renew his working relationship with composer Edwin Asltley who scored all the Danger Man episodes. Indeed it was at this juncture that Edwin Astley was already contracted to provide the theme and incidental music for Roger Moore's The Saint television series, as well as ITC's The Champions.
Composer Robert Farnon was the first to be approached to write the theme music for the Prisoner, but his version of the theme, a zingy, strident Western theme, based on the theme music of the film The Big Country. But this did not reflect what McGoohan was looking for. Up next was Wilfred Josephs, but again McGoohan was not pleased with the result, although a good deal of the music composed by Jospehs at the time does appear throughout the series.
By the end of the year the series was still without a regular theme music, and it ws then that music composer Ron Grainer came onto the scene, and with a track record of popular television themes behind him. His most famous perhaps being the theme music for Doctor Who. So the musician set to work composing his version of the theme music. Although McGoohan was not entirely dissatisfied with Grainer's composition, McGoohan neverthe less felt that it was not quite right, it needed 'beefing up.' He explained what he was looking for and the composer went away and revamped his original composition, eventually succeeding in supplying McGoohan with what he wanted.
It appears however that Grainer was irritated that McGoohan, an actor, had told him, a composer, to change a composition which he had believed was right for the series. So when he recorded a more 'pop' version of the original composition, and not the one heard on the programme!
It is interesting to read that, according to stories at the time, Patrick McGooahn apparently walked into the cutting room one day whistling what is now the main theme music of the series. According to the stories of the time, Ron Grainer was hired to transcribe McGoohan's ideas. Of course Ron Grainer deserves the credit for orchestrating the music and its arrangement. But the original idea was, according to sources from the time, was McGoohan's.
How did this man sleep at night...... he couldn't have done. Not with every finger in the Prisoner pie!
Albert Elms was added to the Prisoner music roster, this to compose the remaining incidental music, whilst the rest of the series incidental music was used from the Chappell Music Library.
Be seeing you
http://islandofterror.blogspot.com/2011/09/prisoner-rejected-themes.html
ReplyDeleteHello Anonymous,
ReplyDeleteThank you for the link, I'll take a look. I'm glad that they opted for the theme music we are all so familiar with by Ron Grainer, because originally, as you may very well know, the theme music for the entire series was going to be that used for both the first cut of both 'Arrival' and 'The Chimes of Big Ben,' and that would have been awful.
Regards
David
BCNU